Both Freud and Lacan were constantly trying to differentiate
between true psychoanalysis as a science and mere suggestion. Even though Freud
began his work with hypnotic suggestion, he would eventually abandon the overt
technique, since it does not admit scientific explanation. However, Freud does
not deny that suggestion may still help the patient. In “Beginning of the
Treatment,” he writes,
Often enough the transference is
able to remove the symptoms of the disease by itself, but only for awhile—only
for as long as it itself lasts. In this case, the treatment is a treatment by suggestion, and not a psychoanalysis at
all. It only deserves the latter name if
the intensity of the transference has been utilized for the overcoming of
resistances. (377)
But treatment by suggestion is only temporary because it does not get
to the root of the problem. Instead of using
the transference (i.e. suggestion) in order to move to the more serious task of
analytic interpretation, the transference is taken as a cure. This is usually
the fault of the analyst rather than the analysand because the analyst is
either satisfied that he or she has successfully interpreted the analysand’s
problem or, what amounts to the same thing, is a result of the countertransference,
which Lacan defines as “the sum total of the analyst’s biases, passions, and
difficulties, or even of his inadequate information, at any given moment in the
dialectical process” (“Presentation” 183). For instance, Lacan argues that Freud’s analysis of Dora
was unsuccessful because of Freud’s tendency to interpret from the standpoint
of Herr K: “It is because he put himself rather too much in Herr K’s shoes that
Freud did not succeed in moving the Infernal Regions this time around” (“Presentation”
182). In his “Postscript,” Freud says that Dora’s symptoms had subsided for
awhile, but that she relapsed into 6 week case of aphonia later (“Dora” 238). Thus, it seems that Freud’s analysis of Dora
was a ‘failure’ because his analysis ultimately was treatment by suggestion.
But, we might then ask, what analysis is not
an analysis by suggestion? That is, how can an analyst be sure that the
analysis is an “authentic” and “scientific” psychoanalysis? To put it another
way, is not suggestion as transference required for a successful analysis?
To me, this
question raises the problem of rhetoric, that is, of persuasion. How does
rhetoric function in Lacanian and Freudian discourse? Can psychoanalysis be a
‘science’ if it uses persuasion, suggestion, or, dare I say, hypnosis? In her
book Inessential Solidarity, Dian
Davis claims that Freud’s science of psychoanalysis is founded by trading in “persuasion
for interpretation” and “rhetoric as persuasion for rhetoric as trope” (31). We
can see that this substitution also holds for Lacan through his text’s use of
rhetorical tropes, while constantly denouncing ‘suggestion’ and persuasion. In
the “Rome Discourse,” Lacan argues that the importance of the dream is in its
text, “that is, in its rhetoric” (“Function” 221). He then rattles off a litany
of tropes that correspond to Freud’s categories of displacement and
condensation, moving on to claim that “Freud teaches us to read in them the
intentions [. . .] with which the subject modulates his oneiric discourse” (“Function”
222). Thus, in Freud and Lacan, rhetoric is relegated to the analysand’s text rather than to the
analytic situation involving the analyst. If this so, what do we make of Lacan’s
claim that the analyst function as a rhetorician? “It [psychoanalysis]
is a practice of chat…. The psychoanalyst is a rhetorician…. He does not say
what is either true or false. That which is true and that which is false, this
is what we call the power of the analyst. And that’s why I say he is a
rhetorician” (Lacan qtd. in “What does Lacan say about Rhetoric?”). The
commentator who translated this passage interprets Lacan’s position on rhetoric
as a function of speaking well rather than its purpose of persuasion:
Could we not
interpret Lacan here as simply pointing out the fact that the psychoanalyst
does exactly what the rhetorician does: uses words in the most economical way.
Without speaking poetically, or even trying to persuade, he communicates a
message in a very efficient way, if at all possible by just sending the
speaker’s words back to them, allowing them to hear the resonances of their own
words.” (What does Lacan say about Rhetoric?”).
Not only
does this misunderstand rhetoric as it has been defined since Aristotle (as the
available means of persuasion), but it also disregards the function of
persuasion and suggestion within the analytic situation. Borsch-Jacobsen, for
instance, asks rhetorically, “what is the transference [. . .] if not hypnosis
without a hypnotist, persuasion without a rhetorician, since it is produced in
the absence of any direct suggestion?” (qtd. in Davis 32). Thus, transference
can be understood as a form of hypnotic suggestion, a susceptibility to
persuasion which forces the analyst to be constantly attentive to their role.
But as
already mentioned, Freud attempted to keep persuasion at bay so as to be able
to interpret from a relatively “neutral” position. According to Davis, Freud
thought that those who use hypnosuggestion were like the rhetoricians in
Plato’s Phaedrus, who do not “know
what they are doing” (Davis 31). Freud is careful to lay out the limits of the
analyst’s role: “He can supervise the process, further it, remove obstacles in
its way, and he can undoubtably vitiate much of it. But on the whole, once
begun, it goes its own way and does not
allow either the direction it takes or the order in which it picks up its
points to be prescribed for it” (“Beginning” 368-69, italics ). Similarly,
Lacan maintains that even though the psychoanalyst directs the treatment, the psychoanalyst
“must not direct the patient,” particularly with regard to the patient’s
conscience or moral standards; such direction on the part of the analyst would
lead to the analysand merely taking on the conscious values of the analyst’s
ego. However, the analyst must have some
form of knowledge, most notably, when to reveal something: “by giving the
patient information at the right time,
it shows him the paths along which he should direct those energies”
(“Beginning” 377). This idea of intervening at the right time (punctuating the
analyst’s discourse) is echoed by Lacan, when he argues that the analysis of
resistance is neither pointing out his or her biases that prevent he or she
from understanding nor persuading, which leads to suggestion, but rather “at every instant of the analytic relation, knowing at what level
the answer should be pitched.”
(Seminar II, 42-43). But if the analyst punctuates he analysand’s discourse,
even if he or she simply speaks the analysand’s discourse back at the
analysand, is it not the case that this is a “suggestion” – a suggestion of
what the analysand should interpret? Furthermore, isn’t the analyst attempting
to persuade the analysand at one and the same time that he or she should
continue with analysis?
In their
book Critique of Psychoanalytic Reason, Isabelle
Stengers and Leon Chertok ask the key question: “What if the Freudian
foundation of psychoanalysis were not a break with the practices of hypnosis
and suggestion, which Freud himself used, but the invention of a new way (or
manner) of practicing them” (272). They answer that, for Freud, “psychoanalysis
was not the opponent of suggestion, but had succeeded rather in ‘putting
suggestion in the service of knowledge’ (Stengers and Chertok 272). Indeed, I
think it is difficult to deny this conclusion given that Freud, in the above
quotation, argues that the transference has to be utilized for overcoming the
transfnerence. This is why, for Freud, “So
long as the patient’s communications and ideas run on without any obstruction,
the theme of transference should be left untouched. One must wait until the
transference, which is the most delicate of all procedures has become
resistance” (“Beginning” 375).
But when the
transference becomes resistance, what is to be done? For Lacan it seems that
instead of thematizing the transferece (that is, explicitly pointing out to the
patient that the resistance is because of transference), the analyst should use
it as a lure to continue the anaylsis: “What then does it mean to interpret
transference? Nothing but to fill the emptiness of this stand still with a
lure. But even though it is deceptive, this lure serves the purpose by setting
the whole process in motion anew” (“Presentation” 184). That is, if the lure is
a suggestion or an interpretation, the analyst cannot assume that this is the
‘correct’ and final interpretation. Rather, it should be used to continue the
analysis. As Lacan says, “the subject’s resistance, when it opposes suggestion,
is but a desire to maintain his desire. As such his desire should be considered
a positive transference, since it is desire that maintains the direction for the
analysis” ("Direction" 531).
Thus, to
return to an earlier question, even though the analyst’s function is not to
persuade the patient that a particular interpretation is “correct” in the sense
that it corresponds to “the reality” of the situation, the analyst does have an
interest in keeping the analysis moving. This is why Lacan can say that and
interpretation that is “inexact” can nevertheless be “true” (“Direction” 499).
This is also why we should understand interpretations as “lures” at a “moment
of stagnation in the analytic dialectic” ("Presentation" 184). Interpretations help to
continue the analysis because even if the patient resists a particular interpretation, this should be read as a positive
development because it keeps the analysis going.
But it must
be noted that an interpretation is not
the same as satisfaction of the analysand’s demand, whether that be for a cure,
the analyst’s affections, or the demand to become an analyst. Neither should
one interpret the transference in the hopes that once the transference is
resolved, the analysis can resume as a confrontation of two equal egos who can communicate
and “understand” one another (“Direction” 497). Far from appeasing the
analysand’s demands, according to Lacan, the analyst has “created demand” and
is the one that “sustains demand [. . .] in order to allow the signifiers with
which the latter’s frustration is bound up to reappear” (“Direction” 515, 516).
Except when interpretation or punctuating the discourse of the analysand, the
analyst is silent, a dummy, a dead man, if you will. That demand and desire
(are these two different?) must be sustained is why, perhaps, Freud cautions
against speaking to friends about the analysis: “The treatment thus has a lead
which lets through precisely what is most valuable. When this happens, the
patient must, without much delay, but advised to treat his analysis as a matter
between himself and his doctor” (“Beginning” 373). To talk to an initimate
friend about what the analyst says or punctuates or what he or she has said in
the analysis is to ask for a response that he or she will not receive from the
analyst. The relation between friends is vastly different from that of the patient
and the analyst, as the former is between two conscious egos, one recollecting (perhaps
organizing) that which is supposedly
free association and one responding from the position of what Lacan calls the “semblable”
rather than the Other.
In
conclusion, I want to suggest that there are (at least) two “lures” of
psychoanalysis; the lure of an inexact interpretation that provokes the subject
or patient to respond as well as—and perhaps this amounts to the same thing—the
lure of the “subject supposed to know.” That is, the analysand believes that
the analyst knows where the treatment
is headed and can provide an answer to his problem, something he or she might understand. But, to paraphrase Lacan, desire
is incompatible with speech (“Direction” 535). The subject is demanding something of the analyst, “but
he knows very well that it would be but words. And he can get those from
whomever he likes [. . .] It’s not these words he’s asking for” (“Direction”
515). Lacan is trying to say here that it is mistake to think that “to
understand is an end in itself” and that perhaps it is better to think without
understanding, to listen without response, and to engage in “a positive nonaction
aiming at the ortho-dramitization of the patient’s subjectivity” (“Presentation”
184).
Works Cited
Chertok, Léon, and Isabelle Stengers. A Critique of Psychoanalytic Reason: Hypnosis as a Scientific
Problem from Lavoisier to Lacan. Stanford, CA: Stanford UP, 1992. Print.
Davis, D. Diane. Inessential Solidarity: Rhetoric and Foreigner Relations. Pittsburgh:
University of Pittsburgh, 2010. Print.
Freud,
Sigmund, and Peter Gay. “Beginning of Treatment.” The Freud Reader.
New York: W.W. Norton, 1989. Print.
Freud,
Sigmund, and Peter Gay. “Fragment of an Analysis of a Case of Hysteria
(Dora).” The Freud Reader. New York: W.W. Norton, 1989. Print.
Lacan, Jacques, Héloïse Fink, and Bruce
Fink. Ecrits: The First Complete Edition in English. New York: W.W.
Norton &, 2006. Print.
Hello! It's Corry. I finally posted a response to your Phoenix post, which was:
ReplyDeletehttp://jtriley.blogspot.com/2011/05/inauthenticity-of-joaquim-phoenixs-im.html
My response:
http://piratesandrevolutionaries.blogspot.com/2012/10/whos-real-paul-masson-personal-non.html
Thanks so much. It might be too long for the time you can spare. The specific reply to your ideas is near the end, under Appendix B. You completely changed my mind on the topic, and I since did some work with Deleuze's Orson Welles, Deleuze's temporality, and Andy Kaufman, which allowed me to articulate to some degree my new view. Take care, Corry